She is a Yamanaka, and has taken her clan's specialisation in mind arts and combined it with the exquisitely traditional female arts. Even the Hokage falls into that mindset occasionally- his offhanded comments like when she delivers a report, dismissing her with a "thank you for your work Ino and enjoy the time off- go get a makeover or something", as though a makeover is the height of Ino's desires and dreams.īut Ino wears this all with a quiet self-confidence, because she is proud of her skills. It's a subtle feeling, that one of you don't belong. Jounin will roll their eyes to each other when she comes into the barracks to pick up a mission. Ino can't count the number of times she's been dismissed or passed over because, while she is more than capable in combat or assault, it's not the talents she has chosen to master. Sakura and Tsunade's godlike strength Tenten's weapons mastery- those are distinctively trying to play the game the way shinobi do. The female ninja who are stand out, who are seen as strong, capable of hard work, are those who emulate the shinobi ways. They're often looked down upon, kunoichi. It’s kind to the environment.Ino prides herself on her kunoichi skills. “This is damaged, undamaged, and un-damaging denim. “Metallic hardware, plastic parts, and denim dyes are pollutants,” said Ino.
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Last but not least, a Japanese embroidery technique so incredibly realistic it can reproduce the minutiae of photographic images was applied to a denim Perfecto-style jacket whose pockets, zippers, studs, and buttons were actual trompe l’oeil. A dye from macerated onion exodermis was used to dye a nylon bomber jacket vintage denims were pasted together and hard pressed, then thinly sliced into a new denim fabric that replicates the wood rings of tree trunks. On the same note, fungi-generated leather was rendered into a black, hard-punk rider jacket with a poisonous Amanita phalloides hand-painted on its back. A roomy jumper made from yarns extracted from milk proteins was dyed with coffee: “It has become like a caffe latte!” said Ino. Threads made from discarded banana leaves were woven into a knitted sweat, curved into a banana shape further adding a realistic flip, the black stains of a rotten banana were reproduced through jacquard techniques. “It’s a gutter-like color, isn’t it?” he proudly underlined. Examples include an organic canvas oversized denim trucker jacket dyed with the liquid extracted from food waste. In a true Japanese obsessive-pursuit-of-perfection mindset, he went quite radical in his lo-fi organic approach to dyes, yarns, and various ingenious responsible techniques. Or at least that’s what I did when I was shown the collection through the screen. The results of Ino’s approach to punk sustainability are whimsical-and really make you smile. “Let’s make bad-behavior clothes in a good, responsible way.” So what’s the solution? “Rebellious punk fashion with environmentally friendly materials is here!” he said. Fashion has to make people smile-while, of course, being sustainable. Ino thinks that fashion has to keep us excited and happy and trigger conversations and dreams. But fashion isn’t great just because it’s sustainable.” “Being too well-behaved and serious isn’t my thing.” Ino is equally annoyed by a certain reverential attitude towards sustainability: “People say, ‘Oh, it’s so cool, these clothes are environmentally friendly.’ Of course, it’s very important to be sustainable. “I feel uncomfortable walking along roads that are being established by society,” he said through an interpreter from his studio in Tokyo, ahead of his Doublet live fashion show. Under the circumstances, it’s obvious that we all share hope for a brighter future, and we’re all looking in the same direction.
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Everyone is following similar rules of behavior politics and social media are pushing us to conform to normative lifestyles.
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According to Masayuki Ino, the pandemic has wrapped the world in a big blanket of sameness.